--- title: Cut the handoff lag across radio, TV, and digital description: Most broadcast delays happen in the handoffs, not the work. See how to cut handoff lag across radio, TV, and digital with connected workflow software. image: https://vcreativeinc.com/hubfs/blog/featured/feat-reduce-handoff-lag-media-workflow.jpg --- [Skip to Content](https://vcreativeinc.com/insights/reduce-handoff-lag-media-workflow#body) [![vCreative](https://vcreativeinc.com/hubfs/Logos/vcreative-logo.svg "vCreative")](https://vcreativeinc.com/) Toggle Menu - vCreative Products Toggle children for vCreative Products - [vPPO](https://vcreativeinc.com/products/vppo) - [vProMedia](https://vcreativeinc.com/products/vpromedia) - [vPromotions](https://vcreativeinc.com/products/vpromotions) - [vTrade](https://vcreativeinc.com/products/vtrade) - [vEP](https://vcreativeinc.com/products/vep) - [Endorsements](https://vcreativeinc.com/products/endorsements) - [vTickets](https://vcreativeinc.com/insights/vcreative-vtickets-powered-by-evvnt) - [View All](https://vcreativeinc.com/products) - PromoSuite Products Toggle children for PromoSuite Products - [PromoSuite Next](https://vcreativeinc.com/promosuite-next-vcreative) - [PromoSuite Mail](https://vcreativeinc.com/promosuite-mail-vcreative) - [Insights](https://vcreativeinc.com/insights) - Company Toggle children for Company - [Integrations](https://vcreativeinc.com/integrations) - [Team](https://vcreativeinc.com/company/team) - [Contact Us](https://vcreativeinc.com/contact-us) - [Log In](https://vcreative.net/) [Log In](https://vcreative.net/) - [Schedule a Demo](https://vcreativeinc.com/demo) # News and insights Updates and guidance from vCreative, built for radio, TV and digital operations teams. [Back to all](https://vcreativeinc.com/insights) # Cut the handoff lag across radio, TV, and digital Most delays in a broadcast operation do not happen while somebody is doing the work. They happen in the gaps between people. The spot waiting for approval. The production order stalled between traffic and production. The creative bouncing around before it reaches whoever signs off. Add those waits up across a week and they usually dwarf the actual production time, which is why teams feel stretched while the calendar says they should not be. ## Where the lag actually lives Every time a campaign changes hands, it can stop. The work is finished, but it sits, because the next person does not know it is their turn, or the request landed in an inbox they have not opened, or the status exists only in somebody's head. Mark Crowley at Salem Denver reduces the whole problem to three words: no more chasing emails. That chasing is the lag. It is not laziness and it is not a people problem. It is what happens when the system of record is a mailbox. ## The fix is boringly specific Dayna Derby, production director at Great Eastern Radio, describes what changed for her, and it is worth quoting because it is so unglamorous: *"One feature I like is being able to change the statuses of the different entries so that I know what is going on with these current spots. This one may need to be produced, this one is still waiting on copy, this other one is all set and ready to be dubbed."* That is it. Three states, visible to everyone. She also makes the point that the comment thread attached to each order eliminates information getting lost in email, which is the other half of the same fix. Nobody puts status fields on a conference agenda. But the difference between a producer who knows which of forty spots is waiting on copy and one who has to ask is most of the lag in a week. ## When the handoff disappears entirely The best version is when a handoff stops being an event at all. Matt Linsin describes it working across departments: when a producer finishes a spot, the account executive sees it is ready and sends it straight to the client for approval from inside the platform. Nobody wrote an email. Nobody was asked for a status. The work moved because its state changed. He also names the thing that goes away with it, which is the back and forth arguments about what went wrong or where things stand. Those arguments are pure lag, and they exist only because two people are working from different information. ## Cross channel is where it costs most More channels mean more handoffs, so a campaign spanning radio, TV and digital multiplies every problem above. [vPPO](https://vcreativeinc.com/products/vppo) covers production orders and approvals from request to air. [vProMedia](https://vcreativeinc.com/products/vpromedia) handles multi-platform and TV production, connecting sales, creative and traffic in one order flow. vEP coordinates campaigns across markets. On one platform, a handoff is a status change everyone can see rather than an email somebody has to remember to send. For scale: vCreative's own modelling puts coordination effort down 25 to 40 percent for a properly implemented station, with most of the first wave landing inside 90 days. ## Find out where your work is waiting If your team feels stretched but deliverables still slip, look at the gaps rather than the effort. Book a vCreative demo and we will trace one of your campaigns end to end and show you where it sat. ## Frequently asked questions **What causes handoff delays in a broadcast workflow?** Work sitting between steps. A task finishes but the next owner does not know it is their turn, or the request lands in an unchecked inbox, or the status lives in somebody's head rather than a shared system. **What is the simplest thing that reduces it?** Visible status on every piece of work. Knowing at a glance which spots need producing, which are waiting on copy and which are ready to dub removes most of the asking, and the asking is where the time goes. **How does one platform help across radio, TV and digital?** More channels mean more handoffs. Running production, approvals and routing in one system turns each handoff into a status change everyone can see, instead of an email somebody has to remember to send. Want to share this article? 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